Showing posts with label The Rain Falls Down on Portlandtown. Show all posts
Showing posts with label The Rain Falls Down on Portlandtown. Show all posts

Thursday, September 19, 2013

ALL IS BRIGHT: THIS AIN'T NO BROMANCE


It's a rough world out there.  And returning after a long absence is a difficult proposition.  How appropriate is it that Phil Morrison's less than prompt follow-up to his 2005 indie hit Junebug concerns itself with a man attempting to find his bearings, both familial and internal, after having his life interrupted by a long stay in prison?  In many ways, Dennis (Paul Giamatti), the protagonist of All is Bright suffers under far less steep expectations than Morrison does here.  No one expects anything from Dennis; in fact, his wife, Therese (Amy Landecker), has completely written him off, telling their young daughter that he died, rather than bothering with the messy truth about his incarceration.




The film picks up shortly after Dennis is released from prison.  What's his first move?  He returns to his rural, French-Canadian home where he's swiftly informed both Therese's lie and her involvement with Dennis' former best friend and partner-in-crime Rene (Paul Rudd), who Therese plans to marry once Rene's wife grants him a divorce.  With nowhere else to go, Dennis tracks down his romantic rival at a local bar, tries to beat him up, and (naturally?) ends up joining his Rene in an annual trek down to New York City to set up a seasonal Christmas tree selling business.  Yeah, this IS a Christmas movie...bet you never saw that coming.



If the plot sounds convoluted, rest assured, this film, like Junebug, doesn't grind too heavily on plot mechanics.  Instead, Morrison and screenwriter Melissa James Gibson treat these characters as people, albeit ones that sometime stray into situations just a smidge over the line separating the real from circumstances of a cartoonish nature.  When All is Bright sticks with its primary motif of two losers holding a predictably bad hand, it's at its best, resembling at times a modern update on a flavor of male camaraderie rarely portrayed in film since Elaine May's Mikey and Nicky (a bromance, this is, thankfully, not).  But, on the few occasions when the script pushes Dennis and Rene to act like people trapped in an indie comedy, the film stumbles, drops focus, and feels oddly flat.

All is Bright is unlikely to enjoy the same strong word of mouth leading to a slow-building success that Junebug did.  It's just not a film designed to register with a broad audience.  The characters aren't that likeable, nor is the action all that identifiable.  But it is a movie that deserves a chance from fans of quietly observant, character-driven cinema because, for each slight misstep that it contains, there's a charming counterpoint hidden just around the corner. 






All is Bright is currently available for viewing on VOD platforms such as Amazon Instant Video & iTunes.  The film opens theatrically in October.


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Tuesday, April 17, 2012

KUNG FU THEATER presents DREADNAUGHT


Dan Halsted's bringing a rare 35mm print of Yuen Woo-Ping's 1981 film Dreadnaught to the large screen at the Hollywood Theatre tonight.  As with most of Halsted's Kung Fu Theater and Grindhouse Film Festival events, this is a one-night-only event, not to be missed by fans of martial arts and Hong Kong cinema.  And what self-respecting fan of genre cinema would want to miss a flick like this one, featuring characters with names like Mousy and White Tiger?

It all goes down this evening at 7:30 .  Here's a brief description of the film via the press release:

On Tuesday April 17th at 7:30 at the Hollywood Theatre, Kung Fu Theater presents the only known 35mm print of Master Yuen Woo Ping's classic DREADNAUGHT. Tickets are $7. 

DREADNAUGHT (1981) Yuen Biao (EASTERN CONDORS) and Leung Kar Yan (THE VICTIM) star as a young men seeking to learn kung fu from a legendary master. Meanwhile, a crazed kung fu killer named White Tiger is randomly putting on spooky makeup and unleashing his martial arts skills on unsuspecting victims. It's up to the two young men to stop White Tiger, but not until they master the Eagle Claw style, and fight a mysterious double-faced villain. Featuring Yuen Biao's acrobatic skills, a jaw-dropping kung fu lion-dance sequence, and some of the most incredible martial arts choreography you'll ever see. 






Kung Fu Theater presents Dreadnaught at the Hollywood Theatre on Tuesday, April 17th at 7:30pm.  More info here.


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Tuesday, April 3, 2012

Help Spread the Gospel About THE RAIN FALLS DOWN ON PORTLANDTOWN






Hey faithful readers,

I've just added a bunch of social networking "share" buttons to the upper right hand corner of the blog's sidebar.  If you've been enjoying what's on offer here, please pass it along to others: friends, family, pets and other worthy adversaries (come to think of it, go ahead and rope in unworthy ones, too) who might like reading the blog, too. 

And remember, you can always subscribe to the Facebook page here.  If you'd like to get the blog's feed, you can sign up for that here in a reader format or get it via e-mail.

Cheers,
Nick

p.s.--here's what those oh, so attractive buttons look like: 

Sunday, March 18, 2012

1 QUICK FIX #THREE: ORGANISM


Fans of Koyaanisqatsi (1982) and Baraka (1992) should take note of the groundbreaking, Academy award-winning short film Organism (1975).  Made over the course of fifteen years by experimental film director Hilary Harris, the short work pioneered many of the techniques at play in the aforementioned feature-length films.

Harris was given credit for additional cinematography on Koyaanisqatsi and Organism's influence on the post-production stage of that film, as well as the work of just about anyone working with time-lapsed and/or tilt-shifted imagery, looms large.





The film's title refers to its relational meditation based in scale between living organisms and the metropolis that is New York City.  Harris intercuts microscopic footage of biological systems at work with moving images of the city as traffic flows through it, electric light replaces natural light and structures are destroyed and replaced, comparing and contrasting the movements in a manner that uncannily unites them.







Here's a short interview about Organism from Hilary Harris' 1979 appearance on "Screening Room" with Robert Gardner:






And, finally, here is Organism in its entirety (you'll need to log into Fandor via Facebook in order to view the entire film--unfortunately the only way it's available on the web):



organism

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A dvd compilation of Hilary Harris' films, including Organism, is available for purchase here.


Related links:


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Monday, February 27, 2012

1 QUICK FIX #ONE: POWERS OF TEN


Hey all--
Just to mix things up a bit, I thought it'd be fun to start a recurring series of posts highlighting short form films.  Not really looking to analyze or review them...just intending for it to be a low-key curatorial sweep through some of my favorites from the past.  And I'll probably end up finding some new favorites along the way, too.

As for style, format, etc., I'm not really planning on imposing any rules.  Look for the avant-garde to rub shoulders with the strongly narrative or non-fiction to sit side-by-side with popular animation of the past.

Before we begin with the first installment, I wanted to give a quick shout-out to the visual arts blog Fuzzimo, whose free, hi-res 16mm film frame images post is the source material for the 1 Quick Fix image above.  Yup, that's the name of the series: 1 Quick Fix.  Hope you enjoy it.



I wanted to ease into things with a film that many of you have probably encountered before.  Charles and Ray Eames' Powers of Ten.  I first saw the film in an elementary school science class (via a 16mm film-strip version).  The film's pondering of infinite space blew my mind then and it still wows me to this day.  Over time, it's become famous enough to have been paid homage to in an intro segment for The Simpsons, practically the modern equivalent of canonization.

'Nuff said about it.  Why don't we just take a look at the film?  Here it is, from 1977, Charles & Ray Eames' Powers of Ten:




Related links:
1 QUICK FIX #TWO: UNE NUIT SUR LE MONT CHAUVE (A NIGHT ON BALD MOUNTAIN)
1 QUICK FIX #THREE: ORGANISM
1 QUICK FIX #FOUR: THE GREAT ECSTASY OF WOODCARVER STEINER


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